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Author Topic: MY FAVORITE POET  (Read 166 times)
Description: My favorite poet is God above
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Tom Zart
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« on: May 04, 2007, 02:07:30 PM »


MY FAVORITE POET


My favorite poet is God above
Who gives Earth its rhythm and rhyme.
Not pied pipers of misguided souls
Who promote distrust, hatred and crime.

Poetry is nature serenading in song
The peaceful roar of the oceans waves.
The wind through the trees and over the hills
And the flowers in the fields by the graves.

The sound of rain as it waters the thirsty
The songs of children at play in the park.
The far off rumble of trains or thunder
As they pass through the night in the dark.

The joy of our babies first words and steps
The passion of life with its heroes and clowns.
The on going struggle to survive our sins
As we proliferate in hamlets and towns.

My favorite poet is our father of love
Who was first to know us before birth.
His poetry prolongs every thing we love
As his deliverance gives life its worth.


By Tom Zart
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« Reply #1 on: May 05, 2007, 11:04:25 AM »


The Hand of Science

My favorite poet is God above
Who gives Earth its rhythm and rhyme.


Nicely put and that is why I am a believer in the ancient concept of Musica universalis:

Musica universalis (lit. universal music, or music of the spheres) is an ancient philosophical concept that regards proportions in the movements of celestial bodies ? the Sun, Moon, and planets ? as a form of musica (the Medieval Latin name for music). This 'music' is not literally audible, but simply a harmonic and/or mathematical concept. The Greek mathematician and astronomer Pythagoras is frequently credited with originating the concept, which stemmed from his semi-mystical, semi-mathematical philosophy and its associated system of numerology of Pythagoreanism. According to Johannes Kepler, the connection between geometry (and sacred geometry), cosmology, astrology, harmonics, and music is through musica universalis.

At the time, the Sun, Moon, and planets were thought to revolve around Earth in their proper spheres. The most thorough and imaginative description of the concept can be found in Dante's Divine Comedy. The spheres were thought to be related by the whole-number ratios of pure musical intervals, creating musical harmony. Johannes Kepler used the concept of the music of the spheres in his Harmonice Mundi in 1619, relating astrology (especially the astrological aspects) and harmonics.

There are three branches of the Medieval concept of musica:

    * musica universalis (sometimes referred to as musica mundana)
    * musica humana (the internal music of the human body)
    * musica instrumentalis (sounds made by singers and instrumentalists)

In 2006, an experiment conducted by Greg Fox divided the orbital periods of the planets in half again and again until they were literally audible. The resultant piece was "Carmen of the Spheres". The principle of octaves in music states that whenever a sound-wave is doubled or halved in frequency, it yields another pitch similar in 'flavour' to the original one. This can be applied (through very large octave shifts) to any periodic cycle, including the orbits of celestial bodies.

Cheers!
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Tom Zart
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« Reply #2 on: May 08, 2007, 05:03:07 AM »

Thank you for your helpful reply.
Tom Zart
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Tags: Love faith life poetry 
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